2020 has been an interesting year for me art wise with a lot of growth and a new direction. Last year I discovered alcohol inks and my use of the technique has grown in leaps and bounds. Then the pandemic hit and I had a hard time feeling motivated to create at all until I delved into Tiara Tuesday. I have created over 40 tiaras this year, one a week since April plus a few more for other projects and commissions.
The tiaras have helped me explore techniques I have learned in the past and really have given me an outlet for creating with abandon. I love the exploration in each of them with different themes and mediums.
I have shown a lot of art online on the Concellation FB page as well as at virtual conventions. Have done spin art and mailed it to the people who chose the colors, did tiara demos and even started my own YouTube channel. This has seriously kept me from doom scrolling everyday and art is such.a great outlet. Here are some of the pieces that I have done this year.
I created a tiara for Glasgow 2024 commemorating ConZealand which was a giveaway for Glasgow at the convention.
For CoNZealand I also created the pins for the Young Adult/Lodestar award. They went directly to the nominees and winner so weren’t shared on my website but they should be mentioned.
As a fan artist I have worked on a number of fanzines including editing a Journey Planet called Pen and Ink. I created a cover for the fanzine BEAM, as well as provided art for a story for Space Squid (https://www.spacesquid.com/short-on-time/)
After MidAmeriCon II I didn’t think I would be working on a Hugo base anytime soon. But right after the convention a month later I was Fan Guest of Honor at Fencon in Texas. And like one does I was taking a break in the bar talking to Vincent Villafranca and some other friends. Elizabeth McCarty mentioned she wanted a sculpture to put on my Hugo base and that started Vincent and I down the path of collaborating on the base.
As Vincent and I were both from California, we thought it would be fitting to work on a base for Worldcon 76 in San Jose. So we threw around some ideas of concepts and settled using the Lick Observatory as inspiration for the base.
Early in designing
Vincent came to Austin and we spent an afternoon creating figures for the base. We thought creating robots looking into telescopes around the observatory would be interesting and so we sat down and started sculpting. Once we had a few figures created we talked about layout and a general idea of where the figures will fit on the base.
The telescopes were beads that I had that I used as hats for my other robots.
Day of sculpting
Once we were done Vincent left me some clay to create more figures and once I was done I mailed him my robots to create molds and figure out the final layout on the base.
After the molding was done, Vincent sent me some shots of the base and we agreed on the layout of all the figures on the base itself.
He then had the hard part of making the molds and creating the bronzes.
And I may be biased but I think they are pretty amazing.
My name is Sara Felix and I work generally in resin, clay and paper on a number of different surfaces with a number of different mediums. I use a lot of acrylic paint as well as alcohol ink and metal patinas.
Welcome to the redesigned website. I have made this more of a portfolio site with my jewelry and robots the stars of the show. I will slowly get up new pieces as time permits, but in the meantime you can click on the pieces here to see more detail.
When traveling to shows I typically have more jewelry than robots because it is just plain easier to travel with jewelry and ship. But I will be working to get some more stock of robots to sell on Etsy in the next few months for those who like to buy those as well. I have started making more shadow boxes of the robots which are a bit easier to wrap and ship to shows.